First Person Plural
A woman falling—the rest goes by too fast.
The rest go by the fallen, on the pavement.
We breathe a little faster. We try not to see
the rise and fall. Or we recreate
the cavity as it emptied and filled.
We must not pause, it might be still.
The woman, puzzled, looks up. That’s the way—
legs like glass, bones twirled fine as her impossible
pumps. The heart thuds in its brittle cage. Stage
is set for salvation, the savior
misses the cue. Take it back. She is wearing
yellow, the same improbable shade
as her hair. She is wearing thin. She should
have stayed in Cleveland. She should have stayed young.
Tight as we lace us we all come unstrung.
A flat belly is no talisman. No one
is thinner than the woman in yellow
and she’s flat out. If everyone dies
where’s the story? She rises. She will not die
because I say so. Hands on all sides
and she bats them away, she wants no
accoucheur, she cannot bear. You’re too late,
she screams at the crowd, I am a person.
Back off now. Give the little lady some air.
Elisabeth Lewis Corley’s poems have appeared in Southern Poetry Review, Hyperion, Carolina Quarterly, Feminist Studies, BigCityLit and other publications. She holds an M.F.A. in poetry from the Warren Wilson Program for Writers and a B.A. with Highest-Honors-in-Poetry from the University of North Carolina at Chapel where she sometimes teaches screenwriting. Her short film, About Time, directed by Joseph Megel and produced by Harland’s Creek Productions. is currently making the festival rounds.
Sorry, the comment form is closed at this time.