{"id":38273,"date":"2005-11-04T03:59:24","date_gmt":"2005-11-04T03:59:24","guid":{"rendered":"https:\/\/mahmag.org\/nucleus-import\/?p=41"},"modified":"2005-11-04T03:59:24","modified_gmt":"2005-11-04T03:59:24","slug":"hormoz-alipoor","status":"publish","type":"post","link":"https:\/\/mahmag.org\/archive-english\/hormoz-alipoor\/","title":{"rendered":"Hormoz Alipoor"},"content":{"rendered":"<div class=\"leftbox\"><img src='https:\/\/mahmag.org\/nucleus-import\/media\/2\/20051104-hormoz alipoor.jpg' width='160' height='126' alt='hormoz alipoor' \/><\/div>\n<p>\n<b>Hormoz Alipoor<\/b> is a contemporary Iranian poet.  He has published five collections of poetry.  <\/p>\n<p> He was one of the avant-garde poets of Iran between 1971- 1981.<\/p>\n<p>This poem is from his collection &#8220;&#8221;Azure paper&#8221; selected and traslated by Pooya Azizi.            <!--more-->With the moon talk but, did you<br \/>\nSee behind your sad face<br \/>\nYour youth was dead.<br \/>\nDid you see how you forget <br \/>\nThe name of the flowers.<br \/>\nWith moon talk but, the<br \/>\nSadness does not leave you.<br \/>\nDid you see you came here to cry.<br \/>\nWith the moon talk , now <br \/>\nTurning around your face. the<br \/>\nDeath that loves to call you , by<br \/>\nYour first name&#8221; Hormooz&#8221;.<br \/>\nPoet, in the moon eyes<br \/>\nDid you see fifty spring <br \/>\nPassed by you sadly?<\/p>\n<div style=\"text-align: center\">edited by : M.Badihian <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hormoz Alipoor is a contemporary Iranian poet. He has published five collections of poetry. He was one of the avant-garde poets of Iran between 1971- 1981. This poem is from his collection &#8220;&#8221;Azure paper&#8221; selected and traslated by Pooya Azizi.<\/p>\n","protected":false},"author":546,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"_links":{"self":[{"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/posts\/38273"}],"collection":[{"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/users\/546"}],"replies":[{"embeddable":true,"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/comments?post=38273"}],"version-history":[{"count":0,"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/posts\/38273\/revisions"}],"wp:attachment":[{"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/media?parent=38273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/categories?post=38273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mahmag.org\/archive-english\/wp-json\/wp\/v2\/tags?post=38273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}