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<channel>
	<title>MahMag World Literature</title>
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	<link>http://mahmag.org</link>
	<description>World Literature</description>
	<lastBuildDate>Tue, 29 Nov 2011 21:17:28 +0000</lastBuildDate>
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		<title>CALL for The World Poetry Movement (WPM)</title>
		<link>http://mahmag.org/blog/2011/11/29/call-for-the-world-poetry-movement-wpm/</link>
		<comments>http://mahmag.org/blog/2011/11/29/call-for-the-world-poetry-movement-wpm/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 21:17:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=12796</guid>
		<description><![CDATA[E V E R YW H E R E on the Leap-year Day

and Night, WEDNESDAY, FEBRUARY  29, 2012.]]></description>
			<content:encoded><![CDATA[<p>CALL</p>
<p>The World Poetry Movement (WPM)/Movimiento Mundiale de</p>
<p>Poesia (MMP) is pleased to announce to the world its next major</p>
<p>event, which is called:</p>
<p><strong> </strong></p>
<p><strong> A      LEAP      FORWARD </strong></p>
<p>and will take place <strong>E V E R YW H E R E</strong> on the Leap-year Day</p>
<p>and Night, <strong>WEDNESDAY, FEBRUARY  29, 2012.</strong> The Co-</p>
<p>ordinating Committee of the WPM/MMP urges all poets, groups</p>
<p>involved with poetry throughout the world, to begin organizing</p>
<p>events in their particular areas&#8212;-whether it involves cities, small</p>
<p>towns or villages&#8212;under the umbrella of <strong>A LEAP FORWARD.</strong></p>
<p><strong> </strong></p>
<p>It may seem only a coincidence but the Occupy Wall Street move-</p>
<p>ment that began of September 17. 2011 occurred within the process</p>
<p>of the call for <strong>100 Thousand Poets for Change,</strong> the WPM event that</p>
<p>manifested on September 24 of last year. And we have seen that,</p>
<p>with th Occupy movement bursting out and proliferating all over,</p>
<p>“there’s a poem being written by the people of the world” and it is</p>
<p>filled with cries for justice and real democracy, with all the aspects of</p>
<p>life&#8212;-from the economic to the ecological&#8212;that were part of the very</p>
<p>formation of the WPM itself, simply because they are part of the fabric</p>
<p>of people’s yearnings everywhere.</p>
<p>Events that will be multiple leaps forward under <strong>A LEAP FORWARD</strong></p>
<p>moniker&#8212;events with poets who, in the past year, (what with Tunisia,</p>
<p>Egypt, Wisconsin, to name but a few), have been catalyzed by dynamic</p>
<p>inspiration and realize their consciousness of the world has grown by</p>
<p>leaps and bounds, can reveal those passionate leaps as part of the great</p>
<p>flow of events on Leap-year Day and Night, 2012, and collectively move</p>
<p>the whole world forward toward the democracy that all of us are dying</p>
<p>for and want to attain before we die.</p>
<p>Let the WPM/MMP know where your event will be held by writing:                                worldpoetrymovement@gmail.com</p>
<p><strong><em> </em></strong></p>
<p><strong><em>Let’s Organize The Greatest Poetry Events In The History Of The Word </em></strong></p>
<p><strong><em> And The World By Taking</em></strong></p>
<p><strong> A LEAP FORWARD </strong></p>
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		<item>
		<title>RPB( Revolutionary poets Brigade) reading in San francisco</title>
		<link>http://mahmag.org/blog/2011/11/23/rpb-revolutionary-poets-brigade-reading-in-san-francisco/</link>
		<comments>http://mahmag.org/blog/2011/11/23/rpb-revolutionary-poets-brigade-reading-in-san-francisco/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 18:49:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=5800</guid>
		<description><![CDATA[Watch member of RPB in San Francisco read in Occupy event.
Poets such as Jack Hirschman. Bobby Coleman, Dorothy Payne, Mahnaz Badihian,Jim Byron and more..........]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.youtube.com/watch?v=QwGmIOuC_TU">Poets Brigade  reading in SF</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>What Fear?</title>
		<link>http://mahmag.org/blog/2011/11/18/what-fear/</link>
		<comments>http://mahmag.org/blog/2011/11/18/what-fear/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 23:07:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2339</guid>
		<description><![CDATA[by; Mahnaz Badihian,
They scared us with blood and death everyday

What fear?

We see blood and killing and terror

In our media everyday enough that]]></description>
			<content:encoded><![CDATA[<p><strong>What Fear?</strong></p>
<p><strong><br />
</strong></p>
<p><em>by; Mahnaz Badihian</em></p>
<p><strong><br />
</strong></p>
<p>They always scared us of poverty</p>
<p>Now what is left to be scared of?</p>
<p>We are all poor together</p>
<p>They always scared us from breaking laws</p>
<p>What fear?</p>
<p>They broke all the laws in front of our eyes</p>
<p>And the world was witnessing</p>
<p>They scared us from homelessness</p>
<p>What now?</p>
<p>We are all homeless</p>
<p>They scared us with blood and death everyday</p>
<p>What fear?</p>
<p>We see blood and killing and terror</p>
<p>In our media everyday enough that</p>
<p>Now we are used to seeing the killing and bombing</p>
<p>On our TV as a routine day by day movie</p>
<p>They scared us of left becoming right and</p>
<p>Right becoming left</p>
<p>What now?</p>
<p>That neither left nor right can solve the big human misery</p>
<p>Now our only fear should be</p>
<p>Separation of our hands</p>
<p>Separation of our voice</p>
<p>Voice of 99%</p>
<p>&#8230;&#8230;.</p>
<p>painting by mahnaz badihian</p>
]]></content:encoded>
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		<item>
		<title>&#8216;What do we mean by the Revolution?</title>
		<link>http://mahmag.org/blog/2011/11/14/what-do-we-mean-by-the-revolution/</link>
		<comments>http://mahmag.org/blog/2011/11/14/what-do-we-mean-by-the-revolution/#comments</comments>
		<pubDate>Mon, 14 Nov 2011 21:28:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Random Reads]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2324</guid>
		<description><![CDATA["We have it in our power to begin the world over again." -  Thomas Paine]]></description>
			<content:encoded><![CDATA[<div><em>&#8220;We have it in our power to begin the world over again.&#8221;</em> -  <strong>Thomas Paine</strong> &#8211; American revolutionary</div>
<p>&#8230;&#8230;&#8230;</p>
<div>
<div><em>&#8216;What do we mean by the Revolution? The war? That was no part of the revolution; it was only an effect and consequence of it. The revolution was in the minds of the people, and this was effected &#8230; before a drop of blood was shed.&#8221;</em><strong> &#8211; John Adams</strong></div>
</div>
]]></content:encoded>
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		<item>
		<title>The Florid Moment of Bubble</title>
		<link>http://mahmag.org/blog/2011/11/14/the-florid-moment-of-bubble/</link>
		<comments>http://mahmag.org/blog/2011/11/14/the-florid-moment-of-bubble/#comments</comments>
		<pubDate>Mon, 14 Nov 2011 16:41:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2318</guid>
		<description><![CDATA[Nosratollah  masoudi
To say: “the only immortality would be a song”]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste"><strong>Nosratollah  masoudi</strong></div>
<div id="_mcePaste"><em>Translated by: Sasan Bazgir</em></div>
<div></div>
<div><em><br />
</em></div>
<div id="_mcePaste"><strong>The Florid Moment of Bubble</strong></div>
<div></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">Dare to talk bare ,</div>
<div id="_mcePaste">I assert ,</div>
<div id="_mcePaste">This bird is no more alive,</div>
<div id="_mcePaste">And who else but you</div>
<div id="_mcePaste">Could prevent the blue sky</div>
<div id="_mcePaste">From its wide-dead open eyes ?</div>
<div id="_mcePaste">No need to listen</div>
<div id="_mcePaste">You can hear the vague echo of the rain</div>
<div id="_mcePaste">From the bird’s feathers.</div>
<div id="_mcePaste">You ignored</div>
<div id="_mcePaste">And still ignore,</div>
<div id="_mcePaste">But its wings</div>
<div id="_mcePaste">Among the imagery spring’s leaves</div>
<div id="_mcePaste">Create images in your fancy</div>
<div id="_mcePaste">That amaze you.</div>
<div id="_mcePaste">Alas, all in vain,</div>
<div id="_mcePaste">The bird has sheltered its song</div>
<div id="_mcePaste">Under its wing,</div>
<div id="_mcePaste">And how long</div>
<div id="_mcePaste">In the florid moment of bubble</div>
<div id="_mcePaste">Has sang the whole day</div>
<div id="_mcePaste">To keep its song.</div>
<div id="_mcePaste">To say: “the only immortality would be a song”</div>
<div id="_mcePaste">The shelterless passer-byWas quite right.</div>
<div id="_mcePaste">My solitude is the same as</div>
<div id="_mcePaste">A bird’s quietness.</div>
<div id="_mcePaste">Too stunned to find a word</div>
<div id="_mcePaste">For perplexity’s moments.</div>
<div id="_mcePaste">But, trust in silence,</div>
<div id="_mcePaste">For, it has something within</div>
<div id="_mcePaste">To disturb</div>
<div id="_mcePaste">The everlasting dreams.</div>
<div id="_mcePaste">Though ,reclined on the heaven’s terrace .</div>
]]></content:encoded>
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		<title>IN SUPPORT OF IMPRISONED IRANIAN FILMMAKERS Jafar Panai</title>
		<link>http://mahmag.org/blog/2011/10/31/in-support-of-imprisoned-iranian-filmmakers-jafar-panai/</link>
		<comments>http://mahmag.org/blog/2011/10/31/in-support-of-imprisoned-iranian-filmmakers-jafar-panai/#comments</comments>
		<pubDate>Mon, 31 Oct 2011 23:17:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2267</guid>
		<description><![CDATA[Nothing is more dangerous to a society than the silencing of art.]]></description>
			<content:encoded><![CDATA[<p>October 19, 2011<br />
FOR IMMEDIATE RELEASE<br />
ENTERTAINMENT INDUSTRY ORGANIZATIONS UNITE<br />
IN SUPPORT OF IMPRISONED IRANIAN FILMMAKERS<br />
In September 2011, the Iranian government arrested six independent filmmakers for allegedly working with the BBC, on charges including espionage and treason. Along with the ongoing house arrest of director Jafar Panahi and the prior arrest of actress Marzieh Vafamehr, who was later sentenced to one year in prison and 90 lashes, the arrests sparked outrage from filmmaking communities within Iran and around the world. Prior to the release of two of the filmmakers, all six were denied access to their lawyers and families, who were forced to remain silent.<br />
The following entertainment industry organizations stand united in their support for the rights of these artists and call for their immediate release.<br />
Statement from the Board of Governors of the Academy of Motion Picture Arts and Sciences<br />
As an international organization representing over 6000 artists in 35 countries, the Academy of Motion Picture Arts and Sciences is deeply concerned whenever and wherever the rights of filmmakers are threatened. The recent arrest of six Iranian filmmakers, the sentence of &#8220;one year in jail and 90 lashes&#8221; to an actress just for playing a role in an acclaimed film, and the continued house arrest of Jafar Panahi, among others, is a situation that demands our serious attention. These filmmakers &#8211; and others &#8211; are artists, not political combatants. We join our colleagues around the world in calling unequivocally for these filmmakers&#8217; safety, release, and return to filmmaking. They deserve the same, full freedom of expression that the overwhelming majority of our members enjoy every day, no matter where they are from, no matter where they work, no matter what their beliefs.<br />
Statement from the Board of Directors of American Cinema Editors<br />
The American Cinema Editors is an organization of more than 500 professional film editors in the United States and around the globe. We join with the other members of the filmmaking community in expressing our deep concern whenever and wherever the basic human rights of free expression are threatened.<br />
As storytellers, we feel that the arrest of fellow artists for expressing their beliefs, revealing truths and pursuing creative freedom, no matter how controversial, is a story that should no longer have to be told in the 21st century.<br />
Statement from the Board of Governors of the American Society of Cinematographers<br />
The American Society of Cinematographers is an organization of more than 300 professional directors of photography in the United States and throughout the world. We foster the collaboration of cinematographers and the creative exchange of ideas and issues of mutual concern to our members and to the global filmmaking community. We are deeply concerned whenever and wherever the rights of filmmakers are threatened. We share these concerns with our fellow guilds and film organizations: The Academy of Motion Picture Arts and Sciences (AMPAS), The Directors Guild of America (DGA), The Producers Guild of America (PGA), The Screen Actors Guild (SAG), The Writers Guilds of America East and West (WGA), the American Cinema Editors (ACE) and the International Documentary Association (IDA).<br />
We are deeply concerned regarding the recent arrest of six Iranian filmmakers. The sentence of &#8220;one year in jail and 90 lashes&#8221; to an actress just for playing a role in an acclaimed film, and the continued house arrest of Jafar Panahi, among others, is a situation that demands our serious attention. These filmmakers &#8211; and others &#8211; are artists, not political combatants. We join our colleagues and cinematographers around the world in calling unequivocally for these Iranian filmmakers&#8217; safety, release, and return to filmmaking. They deserve the same, full freedom of expression that the overwhelming majority of our members enjoy every day, no matter where they are from, no matter where they work, no matter what their beliefs.<br />
Statement from the Directors Guild of America<br />
The Directors Guild of America joins our colleagues and fellow artists around the world in condemning the baseless and cruel imprisonment or detainment of filmmakers by the Iranian government.<br />
We first raised this issue last year immediately after the sentencing of prominent Iranian filmmaker Jafar Panahi. We are extremely concerned that not only does Panahi remain under arrest, but the Iranian government continues to detain filmmakers and other artists without cause.<br />
As an organization representing 14,500 directors and members of the directorial team who live and work all over the world, it is our belief that for a society to flourish, artists must have the freedom to live and work without fear of imprisonment, retribution or censorship. Creative freedom is an essential building block of liberty, culture, civil and human rights, and we join the world community in opposing any attempt to suppress the rights of artists to engage in creative expression. We hope the Iranian government will release these filmmakers and recognize that their creative works can only strengthen and enrich Iranian society.<br />
Statement from the International Documentary Association<br />
The International Documentary Association believes that the power and artistry of film is vital to cultures and societies globally, and we fiercely defend the rights of filmmakers and artists everywhere to practice their art and to seek and reveal truth in their work, however provocative that truth may be. We strenuously uphold the principles of free speech and freedom from censorship. The expression of truth should never be silenced by the exercise of power by a State or system of authority that may feel threatened by the content of the artistic or journalistic work–both essential elements of democracy. Together with our entire international community of documentary filmmakers, The International Documentary Association calls for the release and fair treatment of Iranian filmmakers, artists, and actors. These artists, and other filmmakers, actors and journalists like them, must be immediately released and allowed to continue their artistic and journalistic work without restriction or penalty. We stand united with them, as do artists across the globe. And we will continue to fight for their fundamental human right of self-expression.<br />
Statement from the Producers Guild of America<br />
As supporters of creative freedom, the Producers Guild of America, on behalf of its more than 4,800 members, wishes to express its profound dismay over the treatment of producer Katayoun Shahabi, directors Jafar Panahi, Naser Saffarian, Hadi Afarideh, Mojtaba Mirtahmasb and Shahnam Bazdar, and journalist and documentarian Mohsen Shahrnazdar at the hands of their Iranian government. The silencing of these voices and others via arrest, coercion and political pressure is unacceptable, and we stand steadfast with our colleagues within the industry and around the world in calling for their release. We look forward to the day when these storytellers are permitted to resume their callings, and hope that even in their captivity, these artists know that they have the sympathy, respect and support of our creative community.<br />
Statement from Screen Actors Guild<br />
Iran has a strong tradition of artistic expression reaching back thousands of years. That tradition is under attack in a contemporary Iran that has seemingly turned against its own artists. Screen Actors Guild deeply deplores the persecution of actor Marzieh Vafamehr and the filmmakers and other entertainment and media industry representatives now under attack in Iran. We add our voices to the thousands of artists worldwide calling on the Iranian government to immediately free Marzieh and the other artists and filmmakers imprisoned because of their artistic and cultural endeavors. We urge Iran to refrain from stifling the artistic expression of its citizens and to let their unique and valuable voices be heard once again.<br />
Statement from the Writers Guilds of America, West and East<br />
The Writers Guilds of America West and East add their voices to the calls for the release of writer/director Jafar Panahi, now under house arrest, and all other members of Iran&#8217;s creative community unjustly imprisoned or detained.<br />
The art of Iran is one of the great treasures of humankind. Its cinema has a long and vibrant history&#8211;and in recent years, the Iranian cinema has been one of the very brightest lights illuminating the art form for the rest of the world. Its filmmakers represent the richness of Iranian culture and the extraordinary imagination of the Iranian people. All of us are poorer when their voices are stilled.<br />
We urge the government of Iran to remember that these are artists, not political enemies, that they have, as all free people do, the right to hold and express opinions. And we urge the government of Iran to remember that their work is the most powerful ambassador of understanding between the people of Iran and the people of the world.<br />
Nothing is more dangerous to a society than the silencing of art. Therefore, we ask the government of Iran to release its filmmakers and to allow them to live and to work freely, as they have previously done in their country and as most of their fellow artists do in the rest of the world.<br />
# # #<br />
Contact information:<br />
Academy of Motion Picture Arts and Sciences: Leslie Unger, 310-247-3090, lunger@oscars.org<br />
American Cinema Editors: Jenni McCormick, 818-777-2900, jenni@americancinemaeditors.com<br />
American Society of Cinematographers: Delphine Figueras, 818-523-0519, delphine@theasc.com<br />
Directors Guild of America: Sahar Moridani, 310-289-5334, smoridani@dga.org<br />
International Documentary Association: 213-534-3600, info@documentary.org<br />
Producers Guild of America: Kelly Mullens (42 West), 310-477-4222, kkmullens@42west.net<br />
Screen Actors Guild: Pamela Greenwalt, 323-549-6872, pgreenwalt@sag.org<br />
Writers Guild of America, West: Gregg Mitchell, 323-782-4561, gmitchell@wga.org<br />
Writers Guild of America, East: Jay Strell, 212-691-2800, strell@sunshineandsachs.com</p>
]]></content:encoded>
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		<item>
		<title>A letter to the Oakland California police</title>
		<link>http://mahmag.org/blog/2011/10/26/a-letter-to-oakland-california-police/</link>
		<comments>http://mahmag.org/blog/2011/10/26/a-letter-to-oakland-california-police/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 22:37:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Random Reads]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2221</guid>
		<description><![CDATA[from a concerned citizen
Even as police officers, you have the right to civil disobedience. Use it!]]></description>
			<content:encoded><![CDATA[<p>Dear Sheriffs and Officers,</p>
<p>Cease and desist all violence against the Occupy Oakland movement.</p>
<p>The violence committed against the protestors is a crime which is<br />
worse than the alleged crime of the protestors&#8217; being there. Even the<br />
curfew law is of lesser importance than the law that human beings<br />
should not hurt other human beings.</p>
<p>Your organization has taken a peaceful protest and turned into<br />
something dangerously similar to a war scene.</p>
<p>There is a higher authority at work, helping these protesters, and<br />
your violence against the men and women of the Occupy Movement is<br />
against the higher authority of God.</p>
<p>Remember it is your motto to protect and to serve.</p>
<p>But your violence does not protect or serve anyone! The people who<br />
order such violence to occur do not intend to protect or serve anyone<br />
but themselves (the 1%).</p>
<p>Because there is no State organization which is there to stop the<br />
crimes of the police,<br />
you are left with the authority of your conscience to tell you what is<br />
right and wrong.</p>
<p>Do not follow an order if it will hurt another human being!</p>
<p>There is a concept in our society of civil disobedience. The Occupy<br />
Movement is an act of civil disobedience.<br />
Police violence is an act of war!</p>
<p>Even as police officers, you have the right to civil disobedience. Use it!</p>
<p>If the police violence continues to escalate, the people will just<br />
have more and more reason to rise against your authority.</p>
<p>People will lose respect for you, whatever respect people might have<br />
for you is diminishing with your acts of violence.</p>
<p>Join us in the fight against police brutality. The rewards of helping<br />
the movement will prove to be truly great, while the punishment of<br />
fighting against the movement will be even greater.</p>
<p>Sincerely,</p>
<p>A concerned citizen</p>
]]></content:encoded>
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		<title>THE ABILITY to FLY/Virginia Barrett</title>
		<link>http://mahmag.org/blog/2011/10/15/the-ability-to-flyvirginia-barrett/</link>
		<comments>http://mahmag.org/blog/2011/10/15/the-ability-to-flyvirginia-barrett/#comments</comments>
		<pubDate>Sat, 15 Oct 2011 21:51:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2176</guid>
		<description><![CDATA[What a difference

the ability to fly can make.

 ]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-2194" href="http://mahmag.org/blog/2011/10/15/the-ability-to-flyvirginia-barrett/virginia-barrett-2/"><img class="alignnone size-full wp-image-2194" src="http://mahmag.org/wp-content/uploads/2011/10/virginia-Barrett.jpg" alt="" width="114" height="166" /></a></p>
<p><em>in honor of those occupying</em></p>
<p><em>the financial district of San Francisco</em></p>
<p><em>October, 2011</em></p>
<p><em> </em></p>
<p>THE ABILITY to FLY</p>
<p>Gray seagulls lined up</p>
<p>like bankers in suits</p>
<p>along the jagged edge</p>
<p>of the old coastal road</p>
<p>now slipped into the sand.</p>
<p>Wings held tight at their sides</p>
<p>they stare out at the waves</p>
<p>as if trying to ascertain</p>
<p>if the market today</p>
<p>will bring a high yield.</p>
<p>But of course the gulls</p>
<p>know, in their collective</p>
<p>bird-souls, that the ocean</p>
<p>is a continuous flow</p>
<p>of give and take</p>
<p>while the bankers think</p>
<p>(for greed’s greedy sake)</p>
<p>of only the latter—</p>
<p>of take and take.</p>
<p>What a difference</p>
<address>the ability to fly can make.</address>
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		<title>CHE&#8217;S BONES/ Jon Hillson</title>
		<link>http://mahmag.org/blog/2011/10/07/ches-bones-jon-hillson/</link>
		<comments>http://mahmag.org/blog/2011/10/07/ches-bones-jon-hillson/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 23:12:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://mahmag.org/?p=2135</guid>
		<description><![CDATA[Oye Che!

Despiértate!

Wake up, man!

Greet the dawn!
]]></description>
			<content:encoded><![CDATA[<p>CHE&#8217;S BONES<a rel="attachment wp-att-2137" href="http://mahmag.org/blog/2011/10/07/ches-bones-jon-hillson/che2/"><img class="aligncenter size-full wp-image-2137" title="Che2" src="http://mahmag.org/wp-content/uploads/2011/10/Che2.jpg" alt="" width="218" height="232" /></a></p>
<p>(On the announcement of the discovery of the remains of Ernesto Che Guevara)</p>
<p>Oye Che!</p>
<p>Despiértate!</p>
<p>Wake up, man!</p>
<p>Greet the dawn!</p>
<p>See the world! Finally,</p>
<p>they have revealed where</p>
<p>your smooth, potent bones are buried.</p>
<p>Ya no eres desaparecido no más, hombre!</p>
<p>The unmentionable, secret cemetery</p>
<p>is now known, where you have</p>
<p>shared the earth below the airstrip in Vallegrande</p>
<p>with a quintet of compañeros all these long years,</p>
<p>the chemicals of your cadavers enriching this spot of</p>
<p>America, which could not forever keep mute the place</p>
<p>where the bones of its children &#8211; sweet, beautiful bones,</p>
<p>silently unsettled &#8211; bid their time, awaiting inevitable disclosure.</p>
<p>Your speechless warrior remains, no longer address unknown,</p>
<p>prove more resilient than the vows of military silence sworn to</p>
<p>by the undertakers of the high command</p>
<p>who watched their hired gravedigger, the elusive Ticona,</p>
<p>excavate a mass tomb with his tractor, warily dump you in,</p>
<p>&amp; flatten the mound with his bulldozer. Bien hecho!</p>
<p>Who will they discover with you, Che,</p>
<p>among these nameless combatientes sharing this</p>
<p>dormitory of worms &amp; loam for decades while all</p>
<p>sorts of helicopters, fighter jets, hovercrafts, cargo planes,</p>
<p>reconnaissance vehicles, WW II training vessels landed</p>
<p>above you, bouncing onto the runway, screeching to a</p>
<p>halt, disgorging fumes, fuel, laughing pilots in their boots,</p>
<p>their chiefs &amp; the troops of the anti-drug terror squads,</p>
<p>marching bands, porcine politicians, you name it, a constant din,</p>
<p>so that even in your covert internment, you could not enjoy</p>
<p>a moment&#8217;s peace only a stone&#8217;s throw from the Yuro Ravine,</p>
<p>where you were surrounded, pinned down &amp; picked off October 8</p>
<p>28 years ago at Vado del Yeso by crack scouts on the hunt,</p>
<p>equipped with state of the art tracking technology &amp;</p>
<p>directed on the spot by can-do special agents from</p>
<p>the omnipotent northern necropolis, seeking your heat &amp;</p>
<p>determined to extinguish it, by any means necessary.</p>
<p>The rangers first shot your mule, next you, in battle.</p>
<p>Wounded, you returned the fire until a bullet wrecked the</p>
<p>barrel of your M-2 &amp; your pistol had no magazine. The circle</p>
<p>tightened, discovered its quarry, then lined up your bleeding</p>
<p>tropas, demanding the leader be identified &amp; all you said was,</p>
<p>Yo soy Che Guevara. The puffed up victors, alarmed &amp; excited by their</p>
<p>catch of the day, called La Paz for further instructions,</p>
<p>a request conveyed to the very top, to el presidente baboso</p>
<p>Barrientos himself, &amp; from him to his bosses &amp;</p>
<p>from them to theirs &amp; passing thru each way the Man</p>
<p>with the Plan, el gusano famoso, Felix Rodriguez (a.k.a. Ramos).</p>
<p>From on high the order came all the way down the ladder, right to</p>
<p>Sargento Mario Teran, who upon receiving the command got drunk</p>
<p>on warm beer, entered the little schoolroom in La Higuera where</p>
<p>you were held, sitting, your wrists tied, your feet bound,</p>
<p>shod in sandals made of rags, your ears ringing from the shots</p>
<p>that had just wasted Willy &amp; Chino. You watched him try to steady</p>
<p>his carbine without success, until you finally stood &amp; addressed him,</p>
<p>Shoot if you have balls! Shoot!</p>
<p>There you are, in the celebrated grainy photo, flat &amp; thin,</p>
<p>like the proverbial patient etherized on a table,</p>
<p>your head propped up on a stool, your empty eyes half-open,</p>
<p>as if you are in repose, or in contemplation, or getting</p>
<p>ready to read one of the books that you lugged around</p>
<p>in your little army&#8217;s library through enervating rain,</p>
<p>thirsty mosquitoes &amp; indifferent jungle. But now,</p>
<p>all sorts of people are pointing at you, at the holes</p>
<p>in your body, the body of Che Guevara,</p>
<p>which would be exhibited later in a hospital laundry, proof</p>
<p>of the victory of the State, the Armed Forces &amp; Law &amp; Order</p>
<p>over Communism &amp; Anarchy epitomized by you, itinerant Argentine,</p>
<p>symbol of continental revolt, protagonist of 2nd &amp; 3rd Vietnams</p>
<p>on America&#8217;s spine, not so heroic-looking there at five-feet seven,</p>
<p>skinny &amp; shot up, like Swiss cheese.</p>
<p>Instead, the peasant women came &amp; mistook you</p>
<p>for Jesús Cristo, not only because of the gentle wave of</p>
<p>bedraggled chestnut hair that swept your shoulders, the wanton</p>
<p>beard on your face, the slender frame &amp; pale skin, the aching ribs,</p>
<p>pounded by asthmatic explosions, but for your insurrectional good works,</p>
<p>legendary rectitude &amp; deferential conduct to la gente indígena,</p>
<p>&amp; because you, too, knew the Judasses who betrayed you</p>
<p>with the saccharine smiles of presumed comrades-in-arms &amp;</p>
<p>the abrazos of supposed fraternal partidarios.</p>
<p>O, how the world has changed since those days,</p>
<p>Che! Que cambios! What would you do, see, recognize, remember?</p>
<p>Would you disbelieve, rub your eyes, snicker, guffaw, or simply</p>
<p>puff on your stub of a cigar &amp; express no surprise</p>
<p>at all? Who remembers your alerta?</p>
<p>The temptation is great to follow</p>
<p>the beaten track of material incentive.</p>
<p>There is the danger that the forest</p>
<p>will not be seen for the trees.</p>
<p>The pipe-dream that socialism</p>
<p>can be achieved with the help of</p>
<p>dull instruments left to us by</p>
<p>capitalism can lead to a blind alley</p>
<p>&amp; you wind up there after having</p>
<p>traveled a long distance with many</p>
<p>crossroads &amp; it is hard to find out</p>
<p>just where you took the wrong turn.</p>
<p>Crooked roads have been followed &amp;</p>
<p>when it was decided to refrain from</p>
<p>these roads, other roads were followed</p>
<p>which did not prove to be less crooked</p>
<p>&amp; thus experiments reach a wall</p>
<p>impossible to climb.</p>
<p>Now, like Lazarus, you rise. Your bones, recognizable by</p>
<p>the missing hands</p>
<p>(removed to identify your trophy corpse)</p>
<p>&amp; the astonishing brow of your skull</p>
<p>(the physical embodiment of concentrated thought)</p>
<p>can ascend from the sediment below the airstrip &amp;</p>
<p>come home, your omniscient, impatient bones,</p>
<p>returned to a world which would not faze you at all</p>
<p>- with its debris of decrepit</p>
<p>monuments to nightmare Shangri-Las</p>
<p>(workers&#8217; paradises, evaporated by popular demand),</p>
<p>the spectacle of traditional marketplaces glutted by</p>
<p>overproduction &amp; those of their stillborn would-be disciples</p>
<p>heaped with mountains of malnourished infants,</p>
<p>the breathtaking paroxysms of la bolsa de valores</p>
<p>erupting from the fragile fault lines of big capital&#8217;s tectonic plates,</p>
<p>the revival of obsolete maladies, plagues &amp; infections,</p>
<p>the Caligula smiles of the latest generation of snake-oil merchants,</p>
<p>vendors of national patrimony &amp; multilingual salesmen</p>
<p>of old shit in new buckets, the pornographic feats of incredible</p>
<p>weapons systems &amp; their collateral damage,</p>
<p>the wondrous, innovative acts of anti-social behavior-</p>
<p>none of this would shock you, or make your wiser-than-</p>
<p>39-year old bones shudder, or rattle your sleek skeleton</p>
<p>sending you hurriedly back to the subterranean clay of Vallegrande</p>
<p>wrapped in your Che Guevara tee-shirts, shorts, towels, earrings,</p>
<p>ash trays, wall calendars, etc., draped in the creamy accolades</p>
<p>of all those who despise you -</p>
<p>the eight previous occupants &amp; the current tenant of</p>
<p>la casa blanca &amp; his loyal oppositionists,</p>
<p>renascent supposed Bolsheviks in Moscow with their</p>
<p>unslaked thirst for hard currency,</p>
<p>aimless post-Cold War European intellectuals musing</p>
<p>over old, long-lost romances &amp; bitter at failed loves,</p>
<p>aging baby-boomer academics searching for</p>
<p>meaning amidst chaos,</p>
<p>biographers, hagiographers, cinematographers &amp;</p>
<p>other sundry shysters out for the big buck on the</p>
<p>upcoming happy birthday of your death,</p>
<p>grizzled &amp; neophyte hack gringo</p>
<p>journalists with exhausted rumors at discount rates,</p>
<p>aspiring tourist industry moguls in your old stomping grounds,</p>
<p>whose fleeting flirtation with the legal tender of the enemy has</p>
<p>become the latest object of emulation &amp; desire,</p>
<p>&amp; last but not least, anyone,</p>
<p>anywhere with an ax to grind against your once &amp;</p>
<p>still comandante-en-jefe</p>
<p>still garbed in verde olivo</p>
<p>still bearded</p>
<p>still standing &amp;</p>
<p>still itching for</p>
<p>the good fight, preparing</p>
<p>your prodigal&#8217;s</p>
<p>homecoming, hardly as final</p>
<p>resting place, but as reveille &amp;</p>
<p>reinforcement.</p>
<p>It is thus no surprise that many sweat to transform you into</p>
<p>something more palatable, a product easier to move, with short</p>
<p>shelf life. A crooner of love songs, philosopher king, chess maven,</p>
<p>aficionado of fine-leaf tobacco, antiquated adventurer,</p>
<p>heroic model for evocative photo-montages, fanatic conspirator,</p>
<p>last of the red-hot revolutionaries, armed existentialist,</p>
<p>relic of lost utopia, mirror image of themselves in their youth, &amp;</p>
<p>their most recently failed project, above all, a blast from the past.</p>
<p>Everything but what you were, are, will always be.</p>
<p>Si, siempre: el Che, communist.</p>
<p>This world would not cause your jaw to drop an inch,</p>
<p>you would welcome it, dive into it, roll up the sleeves</p>
<p>on your firm, unyielding bones &amp; say,</p>
<p>Let&#8217;s get to work, comrades! There&#8217;s no time to waste!</p>
<p>This is the fear of those who maintain the reins on</p>
<p>your calcified restos, of those to whom they answer,</p>
<p>salute, grovel, who pull their strings &amp; push their buttons,</p>
<p>now fretting again, having thought the whole matter</p>
<p>had been, like your ragged, mortal ass, disposed of,</p>
<p>despite the quaint graffiti carved into the walls of the</p>
<p>now famous laundry</p>
<p>Che you are our light</p>
<p>The road of your struggle is our life</p>
<p>Thanks Che</p>
<p>They worry that these rambunctious bones</p>
<p>resist mummification, becoming a skeletal mannequin</p>
<p>for the latest ideological fashion, bleached, buffed &amp; polished</p>
<p>for public view in el gran show, professorial confab concealing</p>
<p>demolition derby, global flea market of Chemanía.</p>
<p>No, not these bones, not Che&#8217;s stainless steel bones,</p>
<p>that all these years later could never be vanished</p>
<p>by those who ordered your death in the first place &amp;</p>
<p>who wish now they had dumped your flaco, red Cuban carcass</p>
<p>into a vat of lye &amp; acid, a cask of radioactive waste,</p>
<p>a pit of mercury, a toilet full of Drano &amp; flushed!</p>
<p>Leaving not a trace of the likes of</p>
<p>Ernesto Che Guevara,</p>
<p>not a follicle of hair,</p>
<p>a thread of uniform,</p>
<p>a splinter of bone,</p>
<p>a cell of DNA. They grate their molars,</p>
<p>curse how they should have vaporized you more</p>
<p>thoroughly than at Hiroshima,</p>
<p>where they left those tell-tale snap-shot</p>
<p>silhouettes on the mushroomed walls of</p>
<p>former buildings, but no,</p>
<p>al contrario!. You &amp; your stoic, demanding, spectral</p>
<p>bones get the last laugh after all &#8211; bones reborn</p>
<p>in trenches too many to name, resurrected in Nicaraguan</p>
<p>hills, in Venezuelan jungles, Somali deserts, narrow trails in</p>
<p>the Vietnamese central highlands, massive positional maneuvers on</p>
<p>the plains of Cuito Cuanavale &#8211; bones in the bodies of your first pupils,</p>
<p>now generals, who discovered pieces of you in themselves &amp; whose</p>
<p>own apprentices do likewise &amp; thus linked, become the accumulated,</p>
<p>conclusive forensic evidence that they could not kill you,</p>
<p>your bones were never disappeared at all.</p>
<p>Now, they are ready to meet the air, anonymous no longer,</p>
<p>to resume where you left off, Che, unbowed before the last emperors</p>
<p>in their latest duds. IT&#8217;S YOU! &amp;</p>
<p>your triumphant, unrepentant bones</p>
<p>that then</p>
<p>as now</p>
<p>always stuck</p>
<p>in their throats.</p>
<p>(On October 17, 1997, after ceremonies marking their death in combat,</p>
<p>the remains of Che Guevara and six comrades &#8211; from Bolivia, Simeon Cuba</p>
<p>and Aniceto Reinaga; from Peru, Juan Pablo Chang-Navarro; from Cuba,</p>
<p>Alberto Fernandez Montes de Oca, Rene Martinez Tamayo, and Orlando</p>
<p>Pantoja &#8211; were buried in Sanata Clara, Cuba. Initial reports indicated</p>
<p>the discovery of five of Guevara&#8217;s co-fighters.)</p>
<p>- Jon Hillson</p>
<p>JON HILLSON is a member of the International Association of Machinists at Los Angeles International Airport, a political activist, journalist and widely published poet.</p>
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		<title>Jack Hirschman reading in Rome 2010</title>
		<link>http://mahmag.org/blog/2011/10/05/jack-hirshman-reading-in-rome-2010/</link>
		<comments>http://mahmag.org/blog/2011/10/05/jack-hirshman-reading-in-rome-2010/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 17:09:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[Your lies
War lies
Piles so high.....]]></description>
			<content:encoded><![CDATA[<p>to watch the video , click on jack Hirschman<br />
<a href='https://www.youtube.com/watch?v=WXhi4JBeLk0&#038;feature=player_embedded' >Jack Hirshman reading in Rome 2010</a><br />
<a href="http://mahmag.org/blog/2011/10/05/jack-hirshman-reading-in-rome-2010/jack-hirshman/" rel="attachment wp-att-2105"><img src="http://mahmag.org/wp-content/uploads/2011/10/jack-hirshman.jpg" alt="" title="jack hirshman" width="127" height="154" class="aligncenter size-full wp-image-2105" /></a></p>
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